Saturday, June 26, 2010

Nuances on the Train




-Some people, during idle moments in their conversations, will tap their fingers rhythmically, even if they’re not listening to music.

-People sitting next to each other on a train rarely make eye contact while conversing, especially if close friends. Obviously, cause it’s awkward to have your head turned sideways the entire time. They’ll usually stare at an angle toward the other person. And if they’re lovers, they’ll gaze downwards rather than straight ahead. Strangers are more likely to glance at each other more often (unless of course you’re absolutely threatened by that person. In that case, you’d probably face the opposite direction)

-Some people will shake their heads when talking- even when they’re not negating anything or talking about something objectionable.

-When women read books, they’ll usually start with their heads tilted and then sit erect with their necks straight when they feel uncomfortable- never the other way round. Maybe men too, but I’ve only noticed women doing it.

-Sometimes, when people have conversations on the phone while sitting between strangers on a train, they’ll stare evilly out the nearest window and mutter. Like they’re performing the Confundus charm or something (yes, a Harry Potter reference).

-When you can’t find a seat on the train and you have to stand, and you’re standing close behind a seated passenger, they will give you at least 3 furtive glances per minute, and won’t stop. [It’s true. I might have terrorized an adorable lanky old man (with a cute little satchel) just by standing so close behind him].

-Some people will fiddle with the hair on their eyebrows when they’re idle (I know, ew.)

-When people are really really sleepy while traveling seated, they will sleep in the most awkward and uncomfortable positions- compared to moderately sleepy people, who’ll just tilt their heads against something. [I know this to be true. I’ve had exhausting trips to and from India lately. And by the third flight (which is usually the shortest- like 2 hours at most), I can’t take it anymore and I will creep out the passenger next to me if I have to in order to get my sleep.]

-A lot can be said from the back of people’s heads.
__

A lot of these seem obvious and I probably knew it all along. But noticing something and having a subconscious knowledge of it are two vastly different concepts.

I’ve been commuting for three weeks now, to and from NYC. Long commutes after long days of work. And I usually only have the energy to plop onto the window seat (IF I can get a seat, that is) and plug into music and tune out the flurry of people around me.

It wasn’t until yesterday that I realized, and smacked myself on the head for realizing so late. There are PEOPLE around me. Even if I can’t bring myself to take out my sketchpad in the crowd (although I did yesterday), I can at least put my people-observing skills into practice.
Apart from honing my ability to pay attention to details, all the endless rotoscoping is hopefully giving me a subconscious sense of how athletes move, although recently, I’ve been outlining quite a lot of blur. But still, there’s a lot to learn!

Looking at ordinary people do ordinary things can sometimes surprise you too. A lot of the things you’ll notice are obvious things, like I said. But really, if you think about it, they’re the essence of human behavior. Something like tapping your finger on your coffee-to-go can communicate much more than waving your hand violently when giving a political speech (Don’t ask- I spent 3 hours of my life I will never get back watching a Bollywood film about politicians, and subtextually, about bad acting. Anyways…)

I don’t think there’s a better place than stations of to really look at these subtleties come into play. They should make an Encyclopedia of human idiosyncrasies. Maybe it does exist, and maybe I’ll look for it when I can get a hold of something more advanced than dial up Internet.

But for now, I shall feed myself with my own list of nuances.


Monday, June 14, 2010

festivities


This weekend I was back at Rochester for my first film festival! Bhava Raga Tala got selected for The High Street Film Festival that was held this June 12 at the Dryden Theater in George Eastman House.

This is the first time the festival is being held, and it was started by Matthew and Kate Murphy. Here's an article about it (read it! I'm featured in it too!).

My film was the only animation out of the 11 films that were screened, but it was a great experience. I got to talk to other student filmmakers and some professionals, and my film was received well!

I also started my internship last Wednesday at Humble TV. I know I'll be learning a lot during my time here, but at this moment, I am very intimidated because I am new to some of the software and techniques and I need to self-teach a lot of these things to give these people the right output in the right amount of time. My first three days, I rotoscoped. This is my first time rotoscoping and I think I'm getting the hang of it. Humble TV is working on motion graphics for the 2010 ESPY's right now so it involves rotoscoping athletes and putting them in different environments. My first rotoscoping was Shaun White doing one of his tricks. I'm excited to get my feet wet in some compositing, and hopefully, a lot of new 3D stuff.

Apart from that, my summer's been pretty static. Doing some animating in Maya and hoping to be able to write at least one more children's poem like I did last summer. Maybe it'll inspire me for my 2-quarter too.

Also, I have an IMDb page now for Bhava Raga Tala. :)

Sunday, May 23, 2010

looking and listening

I took American Sign Language and Deaf Art & Cinema this past quarter and was taught the importance of visual communication both in terms of everyday communication itself, as well as in terms of cinema.

I also took Audio Concepts for Animation, where the importance of sound being the life and soul of a film couldn't be stressed enough.

I haven't had the time to properly reflect on this.

But here's my final project for the audio class.. I did NOT animate this. Two guys in our class did for the purpose of the assignment.

AUDIO for Animation from Shreyasi Das on Vimeo.



The audio quality has deteriorated a little after uploading. Make sure to wear good quality stereo headphones to experience the truest product of my efforts!! I worked on this with my partner and did the first half of it till the "hell" sequence, while she did the soundscape for the hell scenes. We then looked over, or listened to rather, each others' segments and gave each other feedback. We both recorded sounds in the foley room using a variety of objects not limited to fruits, vegetables, chocolate pudding, mayo, whole punchers, forks and knives, wet t-shirts, rice crispies and so on and so forth.

I think it came out rather nicely!



Also, this quarter, I did all the sound design for my junior friend, Robyn Stanford, (who was also my partner in Audio). She was working on her one-quarter involving dragons and a tea-party and I did all the sound mixing for her. It was received well at screenings, audio-wise as well, and even made it to the Honor's Show! She's given me the kind permission to embed the link to her film here (and forewarns that the colors are slightly off!)

Tea Party from Robyn Stanford on Vimeo.

spring, a few words about


Another year has come to an end, and as always, there's been a flurry of activities. It seems to be a trend at the closing of every Spring quarter.

So, to back up a little- my 10-week animation project, popularly known as the "one-quarter", was completed, screened with good feedback from the faculty at the quarterly screenings, and selected for the School of Film & Animation's (SoFA) Honor's Show to be taking place in Fall next year.

Two days ago, I turned 19 and took charge of my own decisions. I had received an e-mail from the chairperson of SoFA informing me that the faculty members had decided to nominate me to be the undergraduate representative for the National Princess Grace Foundation Award in the Film category. I was tremendously excited. On further research, found out that this award award was meant for thesis films, and furthermore, the deadline for sending DVDs, treatments & proposals, script summaries, pre-production samples, bios, and other paperworks was in 10 days.

I emailed the chair about it and he informed me that the award could be applicable for any advanced project I would be doing next year (not just for a thesis) and that I should let him know immediately if I wished to decline. Had I been doing a thesis next year, it would have been an ideal opportunity, because by that time, I would have had a solid idea at hand, the pre-planning stage would have been rolling, and I would have a lot more samples to send exemplifying my work under my belt.

But next year, I will be working on my "two-quarter" (20-week project), and unlike my thesis, I do not have an entire academic quarter before this project is to be started, to seriously mull on the ideas being catapulted around my head, polishing the idea, etc. Instead, I have 10 days, if I am to apply for this award. As I've mentioned before I think, pre-production and ideation is the most important and most difficult part for me, and unless I can completely marry myself to my idea, I cannot work with it- be it 10 weeks, 20 weeks or an entire year.

If I were to come up with a 2-quarter idea in 10 days, send all the supporting materials and possibly win the award, I would have to be committed to this idea for the next 20 weeks that I would be spending working on it. I would have run the risk of hating an idea I spewed out in that small span of time and jeopardizing one of my three important projects during my time in college. The quality of my work is important to me and I didn't want to potentially sacrifice that by applying for the award. I wasn't afraid of the deadline. I was afraid of what the outcome of winning the award would be.

It was an especially hard decision for me to make, saying no, because my parents and my friends who knew about it were quite vocally against it. But I thought long and hard about it, and decided to forego the opportunity. It was a privilege being presented with the choice, and for me, all that matters is that I am recognized in my school as being capable.

I must say, making huge decisions like these in such short time can drain you of a lot of energy. Especially when you have to spend the rest of the day packing all your belongings and all the junk that accumulated in your room over the year and move out.


This quarter has been amazing. I've met new people, shared new ideas, earned an interview with Pixar at such an early stage in my career (even though it didn't work out in the end) and got many other valuable interview experiences.. I'm excited about what's to come.

Now I'm home, aching from lugging heavy things around. Will take a day or two off before diving into more work. Film festivals. Scholarships. CLEP. Internship. Translating. Animation practice. And ruminating over ideas for my next film. It has to be twice as good, now that I've made such a big deal about spending time on pre-planning.

Happy summer!

Thursday, April 29, 2010

Swan Song


Another ending drawing near. My animation project has been coming along swimmingly I should say. One of the problems of finishing things earlier than planned is that you get tempted to get really finicky with what you have. At this point, I can do a lot of things to my work, and I'm tempted to, but it's time to wrap things up. I won't be posting any more WIP's for the time being for personal reasons. But the final product is soon to come. I'm hoping to be able to apply for film festivals with it. I don't know if my film would be good enough for festivals, but it's worth trying.

In other news, I just got a fancy mail in the post from the National Society of Collegiate Scholars saying I've been nominated to become a member. And I've decided to accept.

Also got into two internships in NYC- one administrative, one hands-on. Still waiting to hear back from others. I think, by this point, I have applied to more than 30 places.

Another project that needs to be done by the end of the quarter is a live-action film relating to the Deaf experience for my Deaf Art & Cinema class. I'm working with 4 other people. One of my weaknesses, apart from obsessing constantly over tiny details, is the fact that I always feel the need to take charge over things. Not dictate things- but just constantly nag people till they do what they should be doing, trying to get the best out of them. I trust people to do their work (for the most part), but just not to their best of abilities. I feel it should be different out in the real world, where everyone's as dedicated as I am. Right now though, all I want is for my team members to reply to my e-mails :)

I am also going to be returning to my translating job again. My friend who went to Croatia for a study abroad last Spring, met Shawn Convey, a photography student who graduated from RIT and lives in Bosnia with his dance activist girlfriend, Ashley Fargnoli. They both had gone to Kolkata (my hometown in India) and had shot footage at an institution called Kolkata Sanved where they promote Dance Movement Therapy. They have over 60 hours of footage for the documentary they want to make- DMT -, including interviews in Bengali. They need translations. And I'm doing it for them. I had done some last winter. Then things were paused for a bit becuase they've been busy with fundraising and such. Now I'm getting back to it, and I'll be doing more for them. I think I'm probably still the only translator they have.

It's a lot of fun and it brushes up my Bengali, even though it doesn't need brushing up. Being almost tri-lingual is something I'm unashamedly proud of. :)

Quote of the Day: "The world is a book and those who do not travel read only one page".

I really wanted to say "Well-behaved women seldom make history", but that barely applies ...

Good night.

Tuesday, April 20, 2010

Some Ancient Updates

So this is something I never ended up posting last quarter because I was concerned about whether or not I was allowed to. It was my final project for Intro to 2D computer animation. We had to take 90 seconds (or more if we wished) of a song and make a music video to it. This video was solely for the class and I do not own the rights to the music (You Love Me by Kimya Dawson).

We had to use a combination of Flash and After Effects to make this movie.

It was a fairly new experience for me, because I had never experimented with a minimalistic style. I kept being drawn towards making the movements more realistic.

All character and props were drawn and created by me. Except for the backgrounds which were images taken from the internet and edited in Photoshop.

Blogspot butchered the video quality here...




As far as my one-quarter animation is concerned, I am done animating everything. Now I have to go back and fix some of the animations, add some inbetweens to places where I animated on 2's, get rid of distracting scan-lines, etc. Then I'll start editing and have it all done by the 10th week.

Thursday, April 15, 2010

Summore Drawrings


They're a little skewed because of the way I photographed them...


We focused on the head today. I think I got better as I went along...



The weeks are going by so fast. Before I know it, college will be over.