Sunday, January 6, 2013
Saturday, December 1, 2012
Epicity
^ Excited to start working on this as a Lighting Technical Assistant at Blue Sky Studios! Just finished my first week at the studio and it's been great!
For the past 3 months, I had the privilege of working as a freelance 3D artist at BLT Communications on some awesome movie posters. Unfortunately, only one of them has been publicly released. I only contributed to a tiny fraction of the pixels on this one (modeled the bases underneath the armors), but still! Click to view larger!
Monday, November 19, 2012
Sunday, August 26, 2012
Friday, August 24, 2012
Lighting Sketches
I recently bought a DVD of Jeremy Vickery's master class on Efficient Cinematic Lighting and got the idea of making quick Photoshop sketches of different lighting scenarios from film stills and photographs. Thought I'd begin with a portrait... I was mostly just trying to emulate how the face is lit (and also practice painting and shading in Photoshop since I don't do that enough). Hopefully, doing a lot of these will give me a subconscious and better understanding of color, lighting, shadows, how different subjects react to light, etc. etc. On a side note, I'm getting better at hand-eye co-ordination using my Wacom tablet. I still miss my Cintiq though :)
Reference
Saturday, July 21, 2012
Dirt Poor Filmmakers Festival
Ripples, my thesis film, just got into it's first festival! It'll be opening the first night of The Dirt Poor Filmmakers Festival series.
Tuesday, May 22, 2012
Oil Paintings
Work from my oil painting class this quarter. I have never really worked with oils before so this was technically my first time. I wanted to take this class to get a better understanding of color and light and I think I learned quite a lot from this class! I'm pleased with how the materials/surfaces turned out, because I was hesitant about my ability to accurately paint the reflectivities of materials. We used water-based oil paint for this class.
This was my very first monochromatic painting for the class, done in one night. I was mostly trying to get a better handle of the medium and technique in this one.
This one was a two-night still life painting. Started with a subtractive underpainting and then used glazing techniques on top.
Quick portrait painting. This one was tough because of the absorbent nature of the canvas. We stretched out our own canvases and applied gesso on them. It was hard to keep the canvas wet with paint.
And this was our 3-night final project of a still life with a model. We were allowed to choose any part of the set up with the model and objects in front of us and make a composition out of it. This was my first time working this big (20x16). I tried to push myself here by introducing and experimenting with more colors than I usually do on each object.
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